Name, Average duration. 1, For the left hand, 2, Legato, 3, Fifths to Thirds, 4, Ornaments, 5, Melody, Title: Corigliano ETUDE FANTASY (for piano), Author: ScoresOnDemand, Name: Corigliano ETUDE FANTASY (for piano), Length: 6 pages, Page: 1, Published. Documents Similar To Corigliano – Etude Fantasy. Sciarrino-Quaderno Di Strada (Baritone & Large Ens). Uploaded by. Roberto Nieva Velasco · Gulda – Aria.

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As Summer Brings a Wistful Breeze The UNT Libraries serve the university and community by providing access to physical and online collections, fostering information literacy, supporting academic research, and much, much coeigliano. Usage Statistics When was this dissertation last used? Repeated sonorities or chords were often not repeated accurately in my performance, even though I knew that was what I wanted.

Etude Fantasy, for piano | Details | AllMusic

The fourth etude is a study of ornaments. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. We also provide extended guidance on usage rights, references, copying or embedding. Program Notes Winging It: Update Required To play the media you will need to either update your browser to fanttasy recent version or update your Flash plugin.

View a full description of this dissertation. Music of John Corigliano. The pianist’s job here is to isolate the melodic line from the filigree that surrounds it. The first improvisation was too short, and didn’t have a satisfying ending, so I took the liberty of repeating the opening section at the end i.


In this section there is much crossing of hands and during the process a melody emerges in the top voices. Seven Poems of Bob Dylan voice s and piano Prelude: Chaconne for Violin and Orchestra For the Left Hand Alone 4: So each piano would sound perfectly tuned by itself, but, for example, the note G on one piano would sound at a pitch between Coritliano and F sharp on the other, creating eerie effects and dissonances when the instruments were played together.

Fern Hill chamber orchestra Results may vary based corigljano the legibility of text within the document.

codigliano A Dylan Thomas Trilogy ; revised Material from the first and second etudes is developed in a desolate, brooding atmosphere. The Etude Fani-agy 6 is a set of five etudes, performed without pause.

After the initial melodic statement, the virtuoso figurations accompanying the tone row return, followed by a gradual slowing down which finally introduces the right hand, playing a quiet chromatic scale over a gently pulsing left-hand accompaniment.

Rainy Day Relaxation Road Trip. Concerto for Piano and Orchestra My mother taught piano in the living room of our Brooklyn apartment, and a parade of young people filled the air with Czerny, Mozart, and Bach during my etuude hours. A brief annunciatory opening sets up a dreamy, ardent slow movement in which the sighing semitones that classical music has always used to express mourning are subdivided into quarter-tones for an effect I thought both subtler and more intense.

Etude Fantasy, for piano

Concerto for Percussionist and String Orchestra This was not to be a prepared piano in the John Cage sense, with objects inserted between the strings. Romantic Evening Sex All Themes. Follow the links below to find similar items on the Digital Library. Fantasia on an Ostinato for orchestra This climaxes in a return of the original rhythm and, finally, the reappearance of the theme itself.


These controls are experimental and have not yet been optimized for user experience. Wedding Song voice, melody instrument, keyboard or guitar The first etude is for the left hand alone — a bold, often ferocious statement which introduces both an opening six-note row the first notes of the work and a melodic germ marked “icy” in the score which follows the initial outburst.

Poem in October version for chamber orchestra ; revised Concerto for Oboe and Orchestra Influence of minimalist techniques associated with Terry Riley, Steve Reich, and Philip Glass is apparent throughout the work; rhythmic phasing, repetitive patterns, and musical stasis are used extensively in the second section.

Oppens has been a champion of contemporary composers and new music throughout her career.

The Solo Piano Works of John Corigliano: Etude Fantasy (1976) and Fantasia on an Ostinato (1985)

The Ghosts of Versailles – Standard Version Aaron Copland, The Cat and the Mouse. This etude reaches a climax in which both the row and the thematic cantasy are heard together, and ends as the right hand enters playing a slow chromatic descent which introduces the next etude — a study of legato playing. Soliloquy for clarinet and orchestra This dissertation is part of the collection entitled: