DENSEN DM 10 PDF

Densen DM (£). “The Densen sounds excatly as it looks – big and lush. You’ll never find music thin or insubstantial if you’ve got one plugged in.”. Specifications. Power output: 75 watts per channel into 8Ω (stereo). Frequency response: 2Hz to kHz. Total harmonic distortion: %. Input sensitivity. Densen Audio DM Integrated Amplifier. Integrated pre- amp/power amp, 75 watts rms output per channel into 8 Ohms, four line-level inputs, two tape inputs.

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This not only results in a reduction in the problems listed above, which are normally corrected by the use of negative feedback, but also improves phase linearity and speed. The thumps are due to the lack of any additional circuitry which would eliminate the thump but possibly degrade the signal. They are probably the result of deensen order harmonic distortion – a hallmark of the SET – that do not occur to any significant degree in the Densen amplifiers.

In fact, the Vensen on the DM took 45 minutes to completely turn off since it is connected to the power capacitors. Therefore, good speaker cables with low capacitance should be chosen for the best performance. Their elegant sound is matched only by their looks. The use of a loop would require a tape monitor switch, and this would mean that the signal path has to be routed through the switch.

In other words, they can only be used for tape recording and playback rather than for a “loop” containing an equalizer for tone control or other circuit such as a surround sound processor. The Alps potentiometers for volume control are marvelously smooth and noise free, allowing a very gradual increase in sound levels even in the 7 – 10 o’clock region.

The basic difference between the DM and B is in dynamic range, and perhaps a bit in the detail of the upper mid-range as well as the high end. The sibilants are clean, and female voices a good dnsen for an amplifier are sweet and untainted. L’importanza di iscrivervi alla newsletter.

Densen DM 10

A red LED in between the two brass control knobs illuminates when the units are on, and slowly fades when turned off. Let us know if we need desnen take a look at this page or fix a bug. Thomas Sillesen, the designer of the Densen line, was there to answer our many questions about this unique amplifier. The presence of negative feedback has several purposes, among others: For the DM, there are 40, microfarads of capacitance for densne input stages and the same for the output, while the B uses 10, microfarads for the input, and 30, for the output.

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However, either amplifier can be used with dk surround sound processor if the processor has the capability of routing the unprocessed signal through when it is turned off.

There are proponents and opponents of negative feedback, regardless of its shortcomings, and Densen has chosen the design route of using no global feedback which is very difficult to do in a solid state push-pull amplifier.

One of the most important design characteristics of these amplifiers is the 01 of global negative feedback. There are only two knobs on the front, one for volume control and the other for selecting the inputs. They are probably the result of even order harmonic distortion – a hallmark of the SET – that do not occur to any significant degree in the Densen amplifiers.

Their elegant sound is matched only by their looks. For the DM, there denssen 40, microfarads of capacitance for the input stages and the same for the output, while the B uses 10, microfarads for the input, and 30, for the output. Dense are only two knobs on the front, one for volume control and the other for selecting the inputs.

Used Densen DM10 Integrated amplifiers for Sale |

Our Vault pages may have some display quirks. Each amp is black with large brass knobs. The use of a loop would require a tape monitor switch, and this would mean that the signal path has to be routed through the switch. Even harsh CDs are mellow when played through a Densen, just like a SET, and yet the volume is there when desired because high current is available the SET typically has an output of only 7 – 12 watts per channel.

The box and foam rubber protection weigh as much as some amplifiers!

Audiocostruzioni e punto vendita di: Unlike the Ddensen, however, the bass region on the Densens is powerful and deep. Please explain the problem you are having.

Product Review –

We obtained not only the DM for testing, but the new BEAT B as well, and, as you will see, both amplifiers are very special in sound quality as well as their design.

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The DM uses two toroidal transformers one for each channeland the B uses one which supplies both channels. This is in keeping with Densen’s philosophy of not simply having a low profile, but allowing as little circuitry in the signal path dj possible. The Alps potentiometers for volume control are marvelously smooth and noise free, allowing a very gradual increase in sound levels even in the 7 – 10 o’clock region.

The sibilants are clean, and female voices a good test for an amplifier are sweet and untainted.

We obtained not only the DM for testing, but the new BEAT B as well, and, as you will see, both amplifiers are very special in sound quality as well as their design. Because the DM and B use no global negative feedback, the damping factor is very modest. There are separate windings for the output stages bipolar transistors and the remaining portions of the amplifiers the DM as well as the B There are some subtle differences, too, mostly noticeable in the background of the SET sound.

There are some subtle differences, too, mostly noticeable in the background of the SET sound. Since the DM and B are designed with the shortest signal path in mind, tape loops are out of the picture. This is in keeping with Densen’s philosophy of not simply having a low profile, but allowing as little circuitry in the signal path as possible. The DM uses two toroidal transformers one for each channeland the B uses one which supplies both channels. This not only results in a reduction in the problems listed above, which are normally corrected by the use of negative feedback, but also improves phase linearity and speed.

The tape inputs and outputs are not tape loops. In any case, this is one of the very few amplifier designs we have ever tested that has this type of sound characteristic, and we consider it an extremely desirable one. The amplifiers are built partially by robot, and partially by hand assembly.

Because the DM and B use no global negative feedback, the damping factor is very modest. Unpacking the amplifiers is an experience in itself.